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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/11\/Screenshot-2023-11-27-at-13.26.10.png” title_text=”Screenshot 2023-11-27 at 13.26.10″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/11\/NTS-logo.jpg” title_text=”NTS-logo” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/11\/NTW_logo_black.jpg” title_text=”NTW_logo_black” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
On 29 September 2023, the three National Theatres of the U.K. \u2013 Scotland, Wales and England \u2013 staged a day-long conversation for and with theatre directors<\/b> from across the U.K., to mark the National Theatre in London committing to meeting Theatre Green Book \u2018baseline\u2019 standards in all its productions from the start of 2024. It was attended, online or in person, by 300 directors and director-adjacent theatre practitioners from across the UK.<\/span><\/span><\/p>\n The event explored a wide variety of ways to meet this challenge \u2013 placing creativity at the heart of responding to the challenges of attending to the context of climate crisis. See here for an outline of the day<\/a><\/span>\u00a0and here <\/a><\/span>for biographies of the speakers<\/a>. This page offers a range of resources to guide directors on creative leadership for making environmentally responsible theatre. You will find below videos of all the talks, following the chronology of the day, from introductions and ethos, through \u2018challenges\u2019, to \u2018models\u2019 and \u2018visions.\u2019<\/span><\/p>\n Attendees were invited to submit \u2018asks\u2019\u00a0 <\/span>to facilitate early-stage creative conversation on climate care, between freelance directors and artistic directors , in order to create a document that can be used as a starting point for collaboration on environmental responsibility. These \u2018asks\u2019 are published below. At the end of the day the three artistic directors invited all participants to make collective pledges, published below with some pointers for realising these commitments.\u00a0<\/span><\/span><\/p>\n Making Theatre in a Time of Climate Crisis: The Pledges<\/span><\/a><\/p>\n Making Theatre in a Time of Climate Crisis: The Asks<\/span><\/a><\/p>\n The event was curated by Zo\u00eb Svendsen and Lesley Anne Rose, with support from staff at the three National Theatres, in particular Gema Swallow, Glesni Price-Jones, David Evans and Paul Handley. It was produced by Sunita Hinduja and Manisha Majithia for the National Theatre, London.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_testimonial author=”Attendee at Making Theatre in a Time of Climate Crisis” _builder_version=”4.23.1″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n \u2018I thought it would be a lot of talk, but the passion, knowledge and commitment of the various speakers lifted it from a talking shop to a doing shop! It was excellent.’<\/p>\n [\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/pMyynxNkV3I” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Jackie Wylie<\/b>, <\/b>Artistic Director, National Theatre of Scotland, moving from a state of fear, to a state of longing \u2013 imagining a climate-just future.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/vRbQVU0Sd6I” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Lorne Campbell<\/b>, <\/b>Artistic Director, National Theatre Wales, on how to think long-term even in the midst of crisis, and remembers Tamasha Artistic Director, Abdul Shayek.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/JXrp7w8wVs8″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Rufus Norris<\/b>, Artistic Director, National Theatre England, introduces the invitation to contribute an \u2018ask\u2019. <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n We are living through a time of three competing narratives about the future of theatre and wider world. Some tell the story of striving for \u2018business as usual\u2019, others that everything is falling apart and in decline. Through their collective knowledge, experiences and visions, this keynote panel addressed a third version of the story of the future, to explore a narrative of the climate crisis as a wake-up call and turning point towards creating an alternative future: one which is regenerative, creative and fosters justice and care, locally and globally. Chaired by Jackie Wylie.<\/span><\/span><\/p>\n In the spirit of collaboration, and corrective voices, this panel had 3 keynote speakers. In addition, Amanda Parker acted as keynote listener thoughout the day, and shared her reflections in conversation with Jackie Wylie, Lorne Campbell and Rufus Norris.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=sHQUFfRTfBg” _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Kate Raworth<\/b>, co-founder of Doughnut Economics Action Lab and author of <\/span>Doughnut Economics<\/i><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/T5SISnrujF0″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Amanda Parker<\/b>, Cultural Policy Consultant and founder of Inc Arts (Amanda will also act as \u2018keynote listener\u2019 across the day)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/LbWVfJeRxc8″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Ben Twist<\/b>, Director of Creative Carbon Scotland<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/B8R5SO23Jd8″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Full Panel video with Q&A<\/b><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n David Evans<\/b>, Head of Production, National Theatre Wales, Paul Handley<\/b>, Director of Production and Technical, National Theatre and Gemma Swallow<\/b>, Technical Director, National Theatre of Scotland will give an overview of the Theatre Green Book<\/i><\/b><\/span><\/a>, and how it is being used across the theatre industry.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/1-go5xrtspY” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n The theatre context for addressing climate crisis is complex: low pay, reduced funding, reduced audiences post-pandemic, high levels of precarity for freelancers, the employment squeeze, and the urgent need to take better care in rehearsal and production practices. These all create pressure on the mental space for engaging with the climate crisis, never mind the capacity for practical action. This session aired the challenges and offered practical and imaginative responses, modelling ways of navigating a path towards a better future, avoiding both false fixes and doomerism. A panel of responders took on challenges, submitted by directors when signing up to attend the day. Chaired by Lorne Campbell.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/Vhespou136A” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Responders:<\/b><\/span><\/p>\n Clare Slater<\/b>, Artistic Director, HighTide <\/span><\/p>\n Suba Das<\/b>, Freelance director and former Creative Director, Liverpool Everyman<\/span><\/p>\n Rachel Bagshaw<\/b>, Artistic Director, Unicorn Theatre <\/b><\/span><\/p>\n Jennifer Taillefer<\/b>, <\/b>Certified Carbon Literacy Trainer and Production Manager<\/span><\/p>\n Matthew Xia<\/b>, Artistic Director of Actors Touring Company<\/span><\/p>\n Liam Sinclair<\/b>, Executive Director and joint CEO of Dundee Rep and Scottish Dance Theatre<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Making Theatre in a Time of Climate Crisis: The Challenges” button_text=”Click Here” _builder_version=”4.23.1″ _module_preset=”default” link_option_url=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/12\/5.-NT-Making-Theatre-in-a-Time-of-Climate-Crisis-The-Challenges.pdf” global_colors_info=”{}”]<\/p>\n A downloadable document outlining challenges and offering antidotes and workarounds.<\/p>\n [\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n On the day, participants in person could select to join a breakout conversation, to engage in more depth with a particular approach to addressing climate crisis <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Breakout sessions PDF” button_text=”Click Here” _builder_version=”4.23.1″ _module_preset=”default” link_option_url=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/12\/6.-NT-Directors-Day-Breakout-spaces.pdf” global_colors_info=”{}”]<\/p>\n Click here<\/span> for details of each breakout session, including links to find out more.<\/span><\/p>\n [\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n This session comprised presentations from practitioners who have different experiences and methods of working with the <\/span>Theatre Green Book<\/i><\/span> principles, as well as different engagements with the context of the climate in their work. Chaired by Rufus Norris.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/I3DvXDVt5Pk” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Elizabeth Freestone<\/b>, theatre director, creative consultant and environmentalist, on the entwining of the social and environmental in directing <\/span>The Tempest<\/i><\/span> (RSC)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/Y5NZozhoFs8″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Gavin Porter<\/b>, freelance director and producer on<\/span>\u00a0his work with National Theatre Wales and working-class communities<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/dgqWgY1K48s” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Debbie Hannan<\/b>, Associate Director at the National Theatre of Scotland, on NTS touring production and Green Book Case Study,<\/span> Exodus<\/i><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/Vn9314yxziQ” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Max Webster<\/b>, freelance theatre director, on <\/span>Macbeth<\/i><\/span> (Donmar Warehouse)<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Due to unforeseen circumstances, two panellists were unable to join on the day. You can find out more about their work here: [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n In this session we imagined the impossible. Artists and producers co-imagined potential seasons or complete reconstruction that they would like to imagine into being. They shared anticipated challenges and talked about how these different ways of working will enable both creativity and meeting the <\/span>Theatre Green Book<\/i><\/span>\u2019s standards. Chaired by Natalie Ibu<\/b>, Artistic Director and Joint Chief Executive, Northern Stage.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/3i9Np8JH8dY” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Chair Natalie Ibu<\/strong>, Artistic Director and Chief Executive of Northern Stage, on Justice<\/strong> (introduced by Jackie Wylie<\/strong>).<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/9_ZK4t6-s6Q” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Vicki Mortimer<\/b>, set designer and National Theatre Associate, on A Palimpsest Season<\/b><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/xkNyZUfUqBo” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Harold Finley<\/b>, Executive Director of Stage Directors UK, <\/b>on <\/b>Leading Creative Change<\/b><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/r7BxfnAhcHk” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Sean Foley<\/b>, Artistic Director, Chloe Naldrett<\/b>, Executive Producer and Suzy Somerville<\/b>, Director of Productions, Birmingham Rep, on A National Grid for theatre<\/b><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/1SR2AtrPDoo” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Lorne Campbell, <\/b>Artistic Director, National Theatre Wales, with Jacob Ellis,<\/b> Lead Change Maker for Public Affairs and International Relations at the Office of the Future Generations Commissioner for Wales, on going Local to Global<\/b> <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Keynote listener Amanda Parker<\/b> in conversation with the Artistic Directors, Lorne Campbell<\/b> (NTW), Rufus Norris<\/b> (NT) and Jackie Wylie<\/b> (NTS) as they each reflect on their takeaways from the day, exploring emergent themes, crux points and future possibilities. On the way out, we gathered your suggestions for \u2018asks\u2019 between directors and artistic directors, which were collated and edited to create a document aimed at facilitating artistic collaboration on climate care.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_video src=”https:\/\/youtu.be\/3qQ7krI9fDc” _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Pledges” button_text=”Click Here” _builder_version=”4.23.1″ _module_preset=”default” link_option_url=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/12\/4.-NT-Making-Theatre-in-a-Time-of-Climate-Crisis-The-Pledges.pdf” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_cta title=”Asks” button_text=”Click Here” _builder_version=”4.23.1″ _module_preset=”default” link_option_url=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2023\/12\/11.-NT-Directors-Day-Making-Theatre-in-a-Time-of-Climate-Crisis-All-Asks.pdf” global_colors_info=”{}”][\/et_pb_cta][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n These resources were available for reading in the foyer during breaks and\/or informed the curation of the event. Further, there\u2019s a wealth of resources on the Green Book website \u2013 see here for a plethora of case studies<\/a> for ways to use Theatre Green Book.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\nArtistic directors\u2019 welcome<\/span><\/h2>\n
Keynote Panel: It is in Our Hands to Shape the Future<\/span><\/h2>\n
Theatre Green Book Update<\/span><\/h2>\n
The Challenges <\/span><\/h2>\n
Response-ability <\/span><\/h2>\n
<\/span><\/span><\/p>\n\n
Models and Antidotes <\/span><\/h2>\n
Katie Mitchell, international freelance theatre director<\/a>.
Patrick O\u2019Reilly, Artistic Director of Tinderbox, Northern Ireland<\/a>.<\/p>\nVisions: Imagining Otherwise <\/span><\/h2>\n
Round-up of the day <\/span><\/h2>\n
Further Resources<\/span><\/h2>\n
<\/ul>\n
\n
\n
Some pointers to support exploration of the plethora of ways that climate crisis can be addressed on stage.<\/li>\n<\/ul>\n\n
Guidance on how to use clear and effective language when talking about environmental responsibility.<\/li>\n<\/ul>\n\n
HighTide\u2019s summary of the tenets of \u2018Climate Dramaturgy.’<\/li>\n<\/ul>\n\n
Zo\u00eb Svendsen\u2019s report on research at the Donmar Warehouse that outlines the concept of \u2018climate dramaturgy\u2019 and explores in depth artistic and institutional practices you can use to embed climate consciousness in artistic practice. See the Donmar website<\/a> for further details.<\/strong><\/li>\n<\/ul>\n