[et_pb_section fb_built=”1″ _builder_version=”4.25.0″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
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Abstract<\/strong><\/p>\n Can opera be decarbonized? Through the bold reinvention of “La Boh\u00e8me 2050”, this experimental report demonstrates that artistic excellence and environmental responsibility can coexist harmoniously. If Mozart created masterpieces in a naturally sustainable world, how can we rediscover this virtue in our energy-intensive contemporary society?<\/span><\/p>\n Like a bridge between tradition and innovation, this groundbreaking project marries the essence of opera with the modernity of cinema, achieving an environmental feat: reducing its carbon footprint by more than 80%. This transformation relies on a constellation of innovations: a digital onboarding system that minimizes on-site presence, scenography conceived as a transitional ecosystem, and artistic creation rooted in its territory, showcasing local talents.<\/span><\/p>\n Beyond its ecological dimension, “La Boh\u00e8me 2050” resonates as a manifesto for the renaissance of opera. In the face of declining curtain-raisers and social dumping that weakens lyrical artists, the report outlines the contours of a more fair future. It notably proposes the creation of a High Authority for Lyric Arts and the establishment of a minimum wage allocation of 50% dedicated to tax-resident artists, thus enabling a balanced international opening. This pioneering experiment demonstrates that it is possible to preserve the soul of opera while propelling it towards a more sustainable future, where art, the circular economy, and ecological awareness mutually enrich one another.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.25.0″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Teaser Trailer” url=”https:\/\/www.youtube.com\/watch?v=o6rgUEXjOU0″ image=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2025\/04\/Screenshot-2025-04-04-131545.png” alt=”Dear Octopus ” _builder_version=”4.27.4″ _module_preset=”default” link_option_url=”https:\/\/www.youtube.com\/watch?v=o6rgUEXjOU0″ hover_enabled=”0″ global_colors_info=”{}” title_text=”Screenshot 2025-04-04 131545″ url_new_window=”on” link_option_url_new_window=”on” sticky_enabled=”0″][\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.25.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_blurb title=”Report (in French)” url=”https:\/\/heyzine.com\/flip-book\/4f3cb7b134.html#page\/3″ image=”https:\/\/www.theatregreenbook.nl\/wp-content\/uploads\/2025\/04\/Screenshot-2025-04-04-131730.png” alt=”Till the stars come down” _builder_version=”4.27.4″ _module_preset=”default” link_option_url=”https:\/\/heyzine.com\/flip-book\/4f3cb7b134.html#page\/3″ hover_enabled=”0″ global_colors_info=”{}” url_new_window=”on” link_option_url_new_window=”on” title_text=”Screenshot 2025-04-04 131730″ sticky_enabled=”0″][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" A brilliant experiment in decarbonising opera, led by S\u00e9bastien Gu\u00e8ze and broadcast on France T\u00e9l\u00e9visions. (Case Study in French)Abstract Can opera be decarbonized? Through the bold reinvention of “La Boh\u00e8me 2050”, this experimental report demonstrates that artistic excellence and environmental responsibility can coexist harmoniously. If Mozart created masterpieces in a naturally sustainable world, how can […]<\/p>\n","protected":false},"author":1121,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","iawp_total_views":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[8],"tags":[],"class_list":["post-250947","post","type-post","status-publish","format-standard","hentry","category-case-studies"],"_links":{"self":[{"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/posts\/250947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/users\/1121"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/comments?post=250947"}],"version-history":[{"count":2,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/posts\/250947\/revisions"}],"predecessor-version":[{"id":250952,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/posts\/250947\/revisions\/250952"}],"wp:attachment":[{"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/media?parent=250947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/categories?post=250947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theatregreenbook.nl\/en\/wp-json\/wp\/v2\/tags?post=250947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}