Case Studies – Sustainable Productions
“The cultural sector has a unique ability to imagine and experiment with alternative futures, question the status quo, see the world differently and explore the future with audiences and participants. Without the cultural sector playing its part in helping current and future society to move towards a more sustainable way of life, this essential shift will not happen.”
Creative Carbon Scotland, 2020
We’re always keen to include new case studies of Sustainable Productions. If you aren’t sure how to get started writing one, get in touch with us and we can help.
ThisEgg: Me & My Bee – February 2023
Goldilocks and the Three Bears, Nottingham Playhouse, July 2023
Royal Opera House and Rusalka 2023
On Bear Ridge, National Theatre Wales
Sustainable theatre production: case studies – via Arts Professional
Ecoscenography, interview with Noemie Avidar
Headlong – Comparing three mid-scale touring co-productions.
Trash Theatre: Lebanon
Told by an Idiot: Birmingham Repertory Theatre, 2022
River Land, Theatre Alibi, July 2022
The Rusalka Effect - Royal Opera House - VIDEO
Good, Harold Pinter Theatre, 2022
Theatre Green Book introductory seminar Tokyo, 29 September 2022
Ecoscenography, interview with Silje Sandodden Kise
The Rhythmics – Metta Theatre, 2022
Donmar Warehouse : Climate Conversations
Maad’ookii Songlines, Triga Creative
Storyhouse, Chester, Grosvenor Park Open Air Theatre, Jessica Curtis
Trail Sharing: Equipment Sharing in Nordic Countries
As you Like it, for Grosvenor Park Outdoor Theatre, Chester, 2016
Museums and galleries recorded seminar presentation – April 2023
Peter and the Starcatcher, Donyale Werle
Vox:lumen, Ian Garrett, Harbourfront Centre Theatre
Ecoscenography, interview with Marie Renee Bourget Harvey
Ecoscenography, interview with Imogen Ross
The Book of Will, Sandra Goldmark
The Scavenger’s Daughter, Triga Creative
Sylvan, Tinderbox Theatre Company, 2021
